The Baader Meinhof Complex (Der Baader Meinhof Komplex)

It was long.  Two and a half hours.  But it was worth every minute because I doubt they could condense it any more while preserving the integrity of the story and its characters.  The Baader Menihof Complex follows the rise and fall of the Red Army Faction, led by German guerillas revolting against Western imperialism.  Considering how much the organization itself, and its members, substantially change, I found myself sincerely empathetic every step of the way.  The opening scenes were fantastically compelling.

The 1960s and 1970s is a truly thrilling time period that lends itself to an exciting movie. The Baader Menihof Complex took a time period that has been reviewed, revered, and filmed hundreds of times, and made it refreshing.  Some iconic footage from the 60s were mixed in with lesser-known clips, equally as important for the film.

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Excellent cast and acting, notably the two female leads: Ulrike Meinhof (Martina Gedeck) and Gudrun Ensslin (Johanna Wokalek).  Both were strong, fierce, and intensely sexy.  There might have been a few too many good-looking revolutionaries.  Though it sure was fun to watch gorgeous babes shoot off guns.

Having known very little about this bit of German history and the intense revolution that occurred in our recent past, I think it is especially important to get out there to see it… $11.

If you heart The Baader Meinhof Complex

Recommendations by Sneak da Keek
Battle of Algiers
Lust Caution
Public Enemies
Dead Presidents

Recommendations by …
Inglorious Bastards
Motorcycle Diaries

Trailer: The Baader Meinhof Complex


Inglourious Basterds


goes to show it’s all about the journey and not the destination. Or at least, all about what people yap about during the journey, yapping a lot.

is one of the most fascinating flicks I’ve seen all year, if for nothing else a badass soundtrack, and because it carries its panoply of characters through a moderately-complex plot in so few scenes (the film is divided into 5 chapters and hardly more scenes). Perhaps to prevent confusion, Basterds’s storytelling is more linear than I’ve seen in Tarantino’s previous efforts and the dialogue runs through periods of heavy repetition and exposition. While this could be negative criticism 98% of the time, in this case, it isn’t. Tarantino is one of the few writers who can float a “tell don’t show” policy without losing momentum or freshness in a nearly three-hour movie. I watched Basterds three times in theaters and was baffled by how little tension got lost in multiple viewings. Tarantino is perhaps unmatched at keeping an audience engrossed through long periods of talk. Not to mention unmatched at name-calling (see Brad Pitt telling Richard Sammel that if he ever wants to eat a sauerkraut sandwich ever again he’ll take his Wiener Schnitzel-lickin’ finger and point out the German position).


Christoph Waltz stars as Hans Landa (AKA the Jew Hunter), a detective whose prowess has landed him as a head officer in the Third Reich. Landa is essentially what would happen if you took Bill Pullman in Zero Effect, cross-pollinated him with Tim Curry in Clue, and then dressed him up with Nazi oak leaves on his collar. Little emotionally detached. Eccentric as a MF. Simultaneously despicable and oddly noble. Waltz playing Landa is in the top acting performances I’ve seen this year.

Some people may find the violence of Basterds troubling. There are a handful of empathetic portrayals of German soldiers, but in general Tarantino makes the terrorizing and killing of Nazis extraordinarily gratifying. On some level an audience member (at least an American viewer) would want to be like, but they’re just Nazis, so if a theater full of them die in a fire/dynamite explosion, isn’t that totally justified/awesome? But I felt a little dirty after finding so much pleasure in watching Nazis (and their wives) get mowed down by machineguns. I guess I’m saying that while watching a Jewish terrorist group torture and slaughter Nazis seems like good, clean fun, it might not actually be constructive therapy when treading upon the obscene tragedies of WWII. For constructive therapy, see Life is Beautiful. Basterds’s obsession with style overshadows its ethical reasoning.

Though I do see Basterds as a visionary and well-executed film, I don’t think it will be worth everyone’s $10 admission. But if you can make it for the matinee price . . . $9

If you heart Inglourious Basterds:

Recommendations from Yolkie:
Lady Vengeance
Kill Bill – Volume One

Recommendations from Sneak da Keek:
Cecil B. Demented

Recommendations from …
Reservoir Dogs
Battle Royale

Trailer: Inglourious Basterds

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